How To: Make Your Doodles Pop with Grey Shading
When I first began taking elaborate hand lettered notes I experimented with using lots of colors and varying pen styles, but I found through trial and error that the more action on the page, the more overwhelming my doodle notes were when I went back to study them. Over time, I’ve found my style is to use one or two multiliner nib sizes, 2-3 marker colors, and 3-4 matched shades of grey. Since grey shading with markers is a technique unfamiliar to most, I’ve written this post as a tutorial to get you started.
Grey shading is an easy way to add depth and interest to your layout without adding “busy-ness”. Once you have the right supplies and get the hang of it, it’s quick, easy, and really adds a “wow” factor to “studyblr notes” and bullet journals.
Supplies for Grey Marker Shading
I use four markers* in this tutorial:
A N0 Copic Sketch Marker, a N1 Copic Sketch, and a N2 Copic Sketch Marker as well as a Copic Colorless Blender. Copic pens aren’t cheap- they run between $6-$9, but I’ve tested a few grey highlighters and I have not found a substitute for that blends like Copics. The good news is that Copic’s have replaceable nibs and replaceable ink so, theoretically, they will last forever. (I currently have markers in my DIY copic marker storage case that are 10 years old and, with refills, still going strong)
The “N” in the color name/number above indicates they are a neutral tones of grey (rather than the bluish cool tones, or reddish yellow warm tones of grey). You can create a slightly different effect with the other colors, but unless you are a professional comic or portrait artist, the neutral grey markers are more than enough for the average journaler or note taker.
*Copics are my go-to, but art markers aren’t a great fit for a student budget. For a cheaper option, try the Zebra MildLiner in Grey (essentially, a grey highlighter available for about $3). Though it doesn’t blend, it works fine for creating basic drop-shadows. Experiment with this grey highlighter and crosshatching for a shaded gradient effect.
Step by Step Instructions to Shade Notes with Grey Markers:
(these step-by-step instructions are also available via a printable PDF)
Here’s a step by step guide to learning to draw shade-able boxes and banners. (If you are reading this and I haven’t added a link to a printable practice page here, email me, because I definitely meant to. 🙂 )
- Draw a simple flag-style banner.
- Add a box “behind” the strip of banner. Your banner is “in front” of the box, but without shading our eyes don’t recognize that third dimension.
- Add a banner fold. This adds a 3-D perspective that is enhanced with shading.
- Visualize where your light source is. I happen to always envision the light coming from the upper left corner of the page, keeping it consistent makes shading predictably easy.
- Imaging perspective. Light and shadow works like perspective. (For a refresher on drawing perspective, check out this instructable)
- Add shadows where perspective would show the sides if the box was three dimensional. – Notice how my use of the N0 marker behind the banner makes the banner appear to be sitting right on top of the box, but the N1 shading behind the box, which is a little darker, gives the impression that the box is floating with nothing behind it.
- Color deep shadows, like the fold of a banner, with a darker grey, I use N2. A cool thing about Copic markers is that they can be layered with other alcohol based markers. Here I layer N2 and Y13 to create a deeply shaded yellow backside of a Y13 colored banner.
- (Optional) If your shading feels like too much, or got a little darker than you’d like, you can use the colorless blender to smooth the effect. Be careful with the colorless blender, however, as it can sometimes “push” color into uncolored spaces (once you’ve used it a bit you’ll get the hang of controlling it)
That’s it! It may take some practice learning to convert perspective to shadows, but it’s an easy trick to add “wow” to your notes. Check out how a little shading around this banner really draws the eye to what’s important on the page, without any use of color:
Shading can be done with one marker (I’d recommend the N1 or the N2) but multiple shades of grey add depth, like in the image below:
How to: Create a Shaded Doodle Note Banner
In this post I’m going to demonstrate step by step how I create a banner with folds and shading. For step by step instructions slowed down and broken into bite size pieces- keep reading.
Frequently Asked Question: “How do you make doodle notes while keeping up with the teacher?”
Answer: With practice, I’ve learned how to space my words and lettering so I can write down a simple statement, then come back and embellish when the speaker is answering questions or telling stories. Since a good speaker balances lecturing, telling stories or sharing illustrations, and answering questions, in most of my courses this method works really well.
When Curt Thompson said this quote at an event I attended in Seattle, I loved it and knew I wanted to visually emphasize it in my notes. Knowing that, I carefully spaced the words in well spaced lines, which would allow me to go back and embellish later. Here’s that first step:
Once I’ve captured the quote, I have the freedom to move on, or to go ahead and embellish the text into a banner. Usually, to help me gauge spacing better, I at least go ahead and do a rough outline of how I’ll embellish the text.
For a banner, this starts with drawing a rectangle outline around each line of text. I like my doodle method because the irregularity of shapes becomes part of the style.
After the rectangles are drawn, I imagine the rectangles as a folded banner, and draw those connecting strips linking each line together in a “continuous” banner.
Normally after the banner is drawn I’ll jump to other elements of my notes and return to the details later. When I’m ready to detail, I usually use an N1 Copic Sketch Grey Marker to color the places where visually I want to make it appear that I’m seeing the “back” of the ribbon:
Over the entire thing (including the portion I just colored grey- Copics are designed to layer and blend) I add my color, in this case RV11 – Copic “Pink”.
Next, I use closely spaced black-inked lines to create even more depth- adding texture to the colored shading already added.
That’s it! Sometimes, like in the video below, I use a *N0 Copic to add shading around the lower left of the outside of the banner, and N2 Copic to create distinct shading on the reverse side of the banner, but I’ll save that instructional for another post (though, if you watch the video below you’ll get a sneak peek at both.)
While I prefer grey Copic markers for grey shading, these illustration markers aren’t a great fit for a student budget. For a cheaper option, try the Zebra MildLiner in Grey (essentially, a grey highlighter available in singles from Amazon). Though it doesn’t blend, it works perfectly fine for creating basic drop-shadows. Experiment with this grey highlighter and crosshatching for a shaded gradient effect.
Using Pen & Ink Patterns to Bring Creative Challenge to Coloring Pages
During an election, a school I once attended had coloring book pages of the 50 states of the United States set out for students. Though a very kind gesture, I knew that to keep my mind occupied and not-too-anxious through the tension of the long evening, I needed something a little more consuming than filling in blank spaces with solid colors.
Instead of simply filling in the coloring book page with colored pencil, I used a fine point sharpie pen to create a unique texture or pattern within each state. In the final hour of class I used a set of blendable grey alcohol based grey markers to add depth and shading to my pencil textures. Using a black pen and grey markers to create this doodle of 50 states created depth and interest without color.
While I love my copixs for grey marker shading, these professional illustration markers aren’t in every casual artist’s budget. The set linked above is a non-refillable alternative to grey markers made by copics that’s priced for a student budget- but for an even cheaper option, try the grey highlighter made by zebra (essentially, a grey highlighter available in singles from Amazon). Though it doesn’t blend, it works fine for creating basic drop-shadows. Experiment with a single grey highlighter and crosshatching for a shaded gradient effect.
Why I think “Mindfulness Coloring” Isn’t Mindfulness
What is being sold as mindfulness is more often dissociation. Mindfulness is, by definition, a practice of intentional awareness to the body and surroundings, and attunement to what thoughts, feelings, and sensations are found there. Dissociation comes in many forms, but one form of dissociation is becoming lost in an automatic behavior or movement- allowing that behavior to dull our awareness of ourselves and our environment.
The interesting thing is, coloring can be mindful, almost any activity can be done as a mindfulness activity, and mindfulness has HUGE benefits to our emotional and physical health and our ability do relationships and parenting well, but dissociation has the opposite effect. It’s important, if you use mindfulness coloring books, to learn to use them in a mindful way, simply coloring the pages of a mindfulness coloring book does not create the same results as regular mindfulness practice.
I hope to publish much more on this subject in months to come, but here are a few tips to make sure when you color you are getting the benefits of mindfulness:
1. When you color, only color.
If you are coloring while watching TV, listening to music, or otherwise have your attention split, you won’t be able to be present enough to mindful color.
2. Pay attention to coloring.
Ask yourself as you color: what do you notice? Notice smells, textures, colors, feelings, sounds, etc and sit with those sensations, notice them, enjoy them.
3. Invite Creativity
Filling blank spaces with color can be a difficult task to give your full attention to. Consider more complex patterns, like the ones shown here, which allow you to stay more engaged via creativity but establish boundaries to keep you from wandering too far.
4. Keep it Short
It’s difficult to do mindfulness well for long periods, especially at first. Instead, enjoy short 5-10 minutes of coloring in which you are attentive to the sensations and feelings around coloring in your mindfulness coloring book.
Pen & Ink Zen Doodle Prayers
As I carefully penned the detailed pattern in black and white for each state, I found myself praying and mindfully moving through prayers for the state as I spent the 5 to 10 minutes per state carefully creating a texture. As someone who struggles with prayer in the traditional sense but has found it easier to meditate and pray with pen in hand, this didn’t surprise me- but I did appreciate how the structure of the task – filling each state with a tiny inked pattern- structured my prayer.